Zoe Bradley creates floral spectacle for Pandora London

ZOE BRADLEY & PANDORA – IN BLOOM

Zoe Bradley was asked to collaborate with jewellery brand, Pandora to offer a moment of curb appeal from its Marble Arch flagship store in London’s Oxford Street. The floral creation was aimed at delivering the WOW factor. The ZB studio wanted to create something truly bespoke and handcrafted. Applying our knowledge of paper cutting and sculpture we set about producing fine detail and craftsmanship across many varieties of flowers.

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Jo Glynn-Smith, VP of Marketing at PANDORA Jewellery UK comments that: ‘As PANDORA Shine is such a significant launch we wanted to create something unique with huge curb appeal for our flagship store.  With her incredible eye for detail, Zoe was able to capture the essence of our collection and play on the hand-crafted nature of our products to inspire her installation, the most elaborate floral window treatment we have done to date.’

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This floral installation was one of our most detailed executions to date. The two large bespoke 3D flower walls transformed the windows into an explosion of colour of British flowers. The abundance of flowers was extended to go outside the store, by designing several of the key flower styles in a gold metallic to arch across the top of the Pandora store. The psychedelic flower show had landed!

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This creation has taken over 13 weeks to create from design and concept to creation. Working with a dedicated team of 7, featuring over 3000 hand-sculpted blooms using over 10,000 petals. Created from over 14 different style’s of spring blooms, of Roses, Foxgloves, Delphinium, Lily of the Valley, Daisy, Anemone and cherry blossom in 13 colour ways of our signature iridescent papers, each flower meticulously handcrafted.

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Key signature ZB flowers were scaled up in metal as big as 150cm diameter in order to create curb appeal. Bradley wanted the flowers to grow in scale over the store. Creating this ‘Alice in Wonderland’ moment for the passing the public to admire and get inspired by.

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Zoe Bradley says: “I took inspiration from the spring florals in the PANDORA Shine campaign which is whimsical and playful. I wanted to play with the scale and colours to create an avalanche of brightly coloured flowers. My aim was to create a real sense of a theatrical wilderness…”

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The design was to work inside and out, so it would appear all these wonderful flower styles were spilling out from the window, enhanced by a gold floral garland arching over the outside of the flagship store.

Bradley says: This was my Alice in Wonderland moment for Pandora – Playing with scale and detail to create this immersive experience and instagram moment!

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Zoe Bradley & Olivia Burton collaborate on first brand campaign AW17

ZOE BRADLEY & OLIVIA BURTON AW17

Moving into a new area of printed florals on a much smaller more delicate scale!

Bradley brought a real sense of wilderness to the brief. Creating a sense of magic and a dreamlike quality to the compositions by playing with the subtle colours and textures. The delicate nature of the flowers echoed the sense of craftsmanship of the small delicate flowers painted onto the new Bloom collection of watch dials.

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To create the Campaign design Bradley went into her rural surrounding of the studio and took many of her own photographs of real flowers. Collecting bundles of different varieties of flowers to be photographed. Some of these flowers and foliage were quite literally foraged from local hedgerows, which helped in translating the wild hand picked nature of the finished compositions.

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After a careful edit, these photographs were then tinted to the pastel tones of the collection and printed onto a special paper, that could be manipulated to form a 3D styled edge.

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Bradley explored flowers that had contrasting textures and petals, along with grasses, leaves and stems that would trail off to help build up the layers of depth in the set.

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The composition of The Bloom set design was also inspired by the author and naturalist Edith Holden’s ‘The Country Diary of an Edwardian Lady’ where she documented in words and images of the floral and fauna of the British countryside.

Bradley used a soft pastel palette of lilac, nude, pinks, grey and rose gold, to compliment the Olivia Burton AW17 Abstract Floral range. The flowers added a sense of feminine romance and beauty to the campaign.

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Working with Photographer Marie Valogne’s who’s beautiful lighting subtly captured the paper sets casting light and shadow over the carefully positioned flowers. The photographers eye for detail highlighted the delicate nature of these hand-cut paper flowers.

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The end result was a beautifully hand cut paper set of Abstract Florals to launch the NEW floral designed watches by Olivia Burton.

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Zoe Bradley & Galleria Melissa – Neon Garden at Covent Garden

ZOE BRADLEY & GALERIA MELISSA – NEON GARDEN

When Bradley was asked to collaborate with Galeria Melissa in Covent Garden she saw the potential to bring the new element of film to her work. Melissa’s DNA is encoded with an obsession with the new and revolutionary; challenging and reinventing itself in each collection, thus echoed in Bradley’s own thoughts.

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As the gallery stands central in the centre of Covent garden’s iconic old flower market it. The shoe store with adjacent gallery means that Art is for all and the visitors that come to the store can have a window into the art world.

Bradley’s idea behind the installation was to create an exotic garden, celebrating the feminine, architectural forms of flowers. It was important that the scale of the garden was oversized so the petals towered above the viewer.

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The hot neon colour underpins the floral textile with accent colours such as fuchsia pink, pastel lilacs and deep plum which all open and bloom into a kaleidoscopic explosion of colour.

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The Lotus flower is the ‘hero’ flower of the piece and was used to give the floral textile and accompanying animated film the narrative behind the installation. This Lotus flower has come to be associated with purity and beauty in the religions of Buddhism and Hinduism.

A Quote Bradley found says:
‘I thought it was very interesting how the open flower and the unopened Lotus bud forms are associated with human traits. The unopened bud is representative of a folded soul that has the ability to unfold and open itself up.’

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When you visit the Gallery you are greeted from the doorway with a neon suspended Lotus flower in the entrance with a backdrop of a kaleidoscopic floral animation.

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Our collaborators Swhype worked tirelessly on the animation of this 3minute loop sequence to Bradley’s creative direction. Working directly with the patterns and filmed 3D hand-sculpted creation of each ZB paper flower. This backdrop of blossoming flowers added a magical element to the exhibition.

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As you continue down the stairs you enter a room vinyl wrapped in a hot neon oasis of flowers in a variety of oriental styles. A second lotus flower rotates on the floor echoing the motion of a flower opening upon a pond.

Bradley says:
“My work is drawn from nature and the natural rhythms in nature. There is always an element of symmetry in my work, from the floral elements to the overall silhouette of the piece. I look for balance and natural patterns. I work rather instinctively with the paper than mathematically; the flow of the piece is important to me so there is life and movement in the silhouette.”

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400 hand-sculpted flowers we’re created from Bradley’s studio and sculpted into a series of landscapes that we’re photographed by Arthur Woodcroft and stitched together to form a large scale wall vinyl. The artistry ran through this collaboration right down to the piecing together of the details of the vinyl.

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Bradley’s idea to turn the flowers into a vinyl wallpaper ment that the scale of the paper flowers could be used in a larger format that usual creating even more drama to the scale of her work.

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There are many layers to this exhibition, but the development of large wallpaper design is a new exciting avenue for Bradley one that you should see more developments over the coming year!

Zoe Bradley & Harrods Social Butterflies campaign

CELEBRATING BRITISH SUMMER SOCIAL SEASON

As a special tribute to iconic London store Harrod’s, Social Butterflies campaign, Zoe Bradley was asked to create a store-wide moment that celebrates the British Summer Season at Harrods. The bespoke butterfly chandelier was unveiled in-store on 15th May as a central feature located within the entrance hall of the newly refurbished Door 5 escalator.

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Bradley in the studio creating the initial design

This spectacular installation is one of  Bradley’s largest to date measuring 5m x 4m. Bradley was specially commissioned to design this spectacular installation made up of over 4,000 blue, laser-cut butterflies. The creation is a testament to Bradley’s truly unique and intricate work.

Bradley says:
“I wanted to make something bold and beautiful, but also quite clean-lined and modern. I knew I wanted to focus on the colour of the Blue Morpho Butterfly and create this floating sculpture after watching a YouTube film of an enormous swarm of Monarch butterflies migrating to Mexico. Millions of them were flying in synchronicity like they were performing a poetic dance – it was breath-taking.”

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The Harrods window at Door 5 where Bradley’s chandelier hangs.

Bradley says:
“I was thrilled to be asked,” “After all, Harrods is an iconic store and has a huge International audience. I started by visiting the space. When you enter door five at Hans Crescent, it is very impressive with a strong Art Deco feel to the hall. In effect, the space itself was a great starting point. It’s like an art gallery, but in a retail setting. I wanted the design of the chandelier to the Art Deco design of the space, but also bring a touch of modernity with the silhouette.”

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The original paper butterflies were design and hand painted by Bradley and then cut out or pleated into shape.

“The real challenge on this commission has been translating the piece from hand-sculpted paper to a fine plastic which is a new material for me. Also due to the scale of the piece at 5m x 3m and incorporating over 5000 butterflies, it needed to be made with a production company in London. This was certainly a departure for me, as, I usually work from design through to manufacture within my own design studio. On this occasion I was able to watch it’s creation from cutting floor to final 3D sculpture”, says Bradley.

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“In the initial design stages it was important for me to capture the texture of the Butterfly wings using brush strokes applied onto an iridescent paper. I designed a series of hand painted metallic butterflies incorporating delicate folds and lace cut out designs into the wing shape to give depth and movement. This design was captured photographically and printed onto the plastic surface giving the impression of folds in the light and shadow of the print.”

IMG_4074_largeAbove: Millington Associates Production team working in there studio on the production of the butterfly chandelier.

Bradley says:
“My work is based upon repeat textiles the organic formation of the textile is important. There is a lot of attention to detail as the my sculptures are created by hand, which can require hundreds of man hours.

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“My aim is for visitors and shoppers as to feel like they have been transported to a tropical place. To be pulled in by nature. The piece is huge, so it means you get to see if from all different angles as you move around the store. I wanted the shoppers to feel as though they’re being surrounded by butterflies.”

Bradley designed a special set of souvenir goods for Harrods including a Tote bag, note book and plastic drinking cup. These included the signature hand painted butterfly design by Zoe Bradley for this special commission which meant the public could take a little piece of the Social Butterflies campaign home with them!

Below: One of the two designs Zoe Bradley for Harrods Tote bags

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The Social Butterfly campaign is in store until 20th June. Harrods will be hosting a series of in-store events and special promotions during this period to highlight the store wide campaign. The limited edition Zoe Bradley + Harrods merchandise is available from the gift area and online at www.harrods.com.

Why Making a Spectacle of Christmas Windows Is So Important For Brands

CHRISTMAS WINDOWS

Much like Charles Dicken’s protagonist in his novel, A Christmas Carol, the big luxury department stores have focused on Christmas past, present and future, when they unveiled their all important windows, to an ever expectant audience this month.

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It’s the one time of year, that the bricks and mortar of retail can seize their chance of creating something truly magical to engage with the passing public.
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Zoe Bradley’s first Christmas Window for Liberty department store 2005
Despite the rising significance of digital touchpoints, where consumers are increasingly switched onto their mobile devices to purchase goods, brands continue to pour money and creativity into their elaborate Christmas windows. The stakes have never been higher. It will certainly take more than a few switched on twinkly lights in the window to entice prospective shoppers over this festive season.
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Christmas All Wrapped Up? Zoe Bradley installation for Lane Crawford Hong Kong for Christmas 2006
Christmas windows have become a popular attraction in London, with many people flocking to see the festive displays every year. Its a chance for stores to really turn on the theatre and create drama and storytelling. Consumers want to be taken on a journey, whether that’s through nostalgia and sentiment or into the future with technology and wonderment. America has long held this tradition of making family outings to view the magic of the Holiday windows. Windows at Christmas is all part of the bigger brand story. Brands need to show a sense of escapism and capture the spirit of Christmas. At the very least create a narrative. Tell a story. Take those customers into another world. It should encourage a smile, a sense of revelation. A sense of fun and childlike amusement. It is Christmas after all.
We take a look at those that have caught our attention and impressed with their creative dialogue, along with revisiting some of our own windows from Christmas past.
HARVEY NICHOLS
The Knightsbridge based department store created the drama of the Italian Renaissance for their Christmas window offering, even down to the marble effect front facade.
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It captures all the drama we have come to expect from this store, along with lots of detail, props and styling. There are 100,000 glittering ice white balls that form into clouds, elaborate suspended chandeliers and over 90 hand made stars decorating the ceiling. The windows feature a sizeable 1300 kg of paper, scrunched up to make props. Around 500 litres of paint was used for the marble-effect columns.
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Janet Wardley, head of visual display at Harvey Nichols for the past 20 years, says “It has been an exciting challenge to transform the store’s facade with marbled panels inspired by the Italian Renaissance architecture to bring Italy to our UK and Ireland sites this year. “The use of lighting effects to create two different night and day displays highlights our iconic, playful and daring brand identity’ offers Wardley.
HARRODS
Perhaps the worlds most iconic store, Harrods has teamed up with another very iconic British brand, Burberry for their window campaign, titled A Very British Fairy Tale, this wonderfully visual tale, tells the story of two children on an enchanting adventure through a snow-swept English country house.
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The impressive display occupies the store’s 29 windows, complete with flying cars, floating bathtubs and secret passageways. What is very impressive in this partnership, is the clever mix of old fashioned story telling with state of the art technology, where the tale can be bought to life by the passing public.
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Visitors can interact with a sensory window using a motion sensor, through which they can experiment with the lighting and music. This is when the adults become kids again. Who doesn’t love playing with a new gadget at Christmas time? Director of Creative Marketing at Harrods, Deborah Bee, told the Evening Standard last week,“Innovation is very important for our customers. We wanted the windows to be visually stimulating and adding a digital element allows visitors to engage with the installation in a more meaningful way.” We couldn’t agree more, and if that wasn’t enough to engage all those SW1 Christmas shoppers, this genius collaboration have created a short animated film. As a paper artist, I was struck by how detailed and effective the paper characters and scenes looked. It wonderfully captures this fairytale through the imagination of the children.
SELFRIDGES
Situated on one of London’s prime retail sites, these windows offer up the cheeky side of Santa Claus. It’s definitely party time for Santa in his full sequinned sparkly red suits. Having taken a two year sabbatical from the iconic Selfridges windows, he’s back with a party bang and shows his irreverent side, mischiellously mixing with a host of penguins, poodles and polar bears, not to mention some 70’s Disco divas.
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Santa feature’s in five windows along Oxford Street, where each set took over 100 hours to make and include 90 mirrored disco balls. It should be noted that no Polar Bears or Penguins were harmed in the making of these windows.
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The store has also added a fun interactive feature for the estimated 100,000 passing public. A revolutionary speaker system which vibrates the window glass to produce unique soundtracks for the display behind. It really is the season to be jolly. Selfridges Creative Director, Linda Hewson comments”We are very excited about our Christmas displays this year. We’ve been thinking of creatively expressing the idea of party and togetherness at the heart of the well-known phrase ‘celebrating Christmas’ for a while now.”
LIBERTY
You could argue Liberty is retail’s spiritual home of Christmas and perhaps looking to Christmas past, its fitting that the world famous Tudor building collaborated in an exclusive partnership with The Royal Ballet this season. Showcasing the enchanting story & well known ballet, The Nutcracker.
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Carved wood ballerinas and toy soldiers stand proudly amongst the turning cogs of clocks and piles of presents in the Liberty windows. Each of its windows is themed around a different scene from Drosselmeyer the magician’s magical kingdom to the Nutcracker’s battle with the Mouse King.
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Liz Silvester, Head of Visual Identity at Liberty commented: “This year it was decided that music, dance and drama would be used to bring out the spirit and charm of an exciting and emotive Christmas time: The Nutcracker was the perfect choice!”
 SAKS
The luxury retailer’s overall theme this year is “Land of 1000 Delights,” which includes magical landscapes of colourful sweets and festive fashion. There is larger than life lollipops swirls, skyscraper size sticks of stripy rock, that will have the kids eyes and tongues pressed against the Fifth Avenue windows.
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Saks Fifth Avenue also features six windows along Fifth Avenue titled, “The Nutcracker Sweet,” where you’ll find Clara and the Mouse King frolicking amongst a luscious playground filled with treats. The multicoloured ten-story tall light show, which the department store is most known for during the holidays, is not to be missed. It play’s daily from 5 to11pm every ten minutes until 2nd January.
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Nancy Hansell, senior strategist at branding firm Siegel+Gale, comments the importance of this time of year for department stores like this. “Window displays, and holiday windows in particular, are really effective in helping brands elevate themselves beyond a transactional experience and remind people of the wonders of shopping,” she says.
BLOOMINGDALES
If we are referencing the Dicken’s Christmas Carol, then world famous store Bloomingdales have looked to the Christmas future with their collaboration. Teaming up with a group of young dynamic artist’s in aid of The Child Mind Institute. These creative visual artists have produced one-of-a-kind chandeliers that are works of their artistic expression based on a word about “light”, the stores holiday campaign theme.
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These works of art will be auctioned off for charity as “Bloomingdale’s Lights Up A Young Mind”. In the spirit of giving, Abby Modell, Allison Eden, Susanne Bartsch, Inma Barrero, Sean Augustine March, Erika deVries, Jonan Meyer, George Kroenert and Esmeralda Kosmatopoulos gave much of their time and their passion to support these children and the Child Mind Institute.
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Bloomingdale’s operating VP of Visual Merchandising says “Holiday windows are a big part of Bloomingdale’s heritage and an annual tradition for so many of our customers,” he says. “Our goal is to create a unique holiday experience that is like no other store in the world.”
BERGDORF GOODMAN
We were certainly transported with the magical theme of ‘Destination Extraordinary’ with luxury department store Bergdorf Goodman. We can  completely relate to this other world at Zoe Bradley, taking the viewer on a journey of discovery and getting lost in another world.
David Hoey, Senior Director of Visual Presentation, characterises the department store’s displays as “delirious remakes of the classic dioramas seen in natural history museums.” He cites the work of Henri Rousseau and 12th-century Chinese water-colour mountainscapes as inspiration for the lush, larger-than-life windows, each of which depicts a unique destination. A special highlight is the wonderful work of New York based paper artist Daniel Sean Murphy,creating the 10 foot pair of praying mantis.
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